Author Archives: Will

Reflections on an Epic

Kat has me so happy over on my own site I’ve seldom posted here in the past year or so, but today I’m thinking about a major milestone in a chronicling career, celebrated this week. It’s just another book, I suppose. But The Eye of Kog is that most fabulous of monstrous beasts, that legendary chimera so many seek and never find.

It’s an epic fantasy sequel.

Hooked from the Start… Make that Tangled

jt-full-amazon-webThink about two tales, two seemingly-separate plot lines. That’s what I thought I had, when I finally decided to chronicle the Lands of Hope back in 2008. As I was drawn into Solemn Judgement’s early days, and looked more closely at how he came to Hope and began to influence the history of the Lands, I figured there would be a novel-length tale about his deeds. Other things were happening, there’s always more. But my dull brain couldn’t see beyond the part that was “Judgement’s tale” at first.

It was just the ending that was killing me.

All’s Well, When it Ends with All

By the time Solemn does his best against the worst, I could no longer ignore the fact that there were these other guys around. A whole party of them, candidly. And even more frustrating, the people Judgement met on his journeys, when he walks a circuit of the northern Kingdoms in the second half of the tale, kept popping up and… well, doing things,  things that were important to understanding the stakes, dare I say the theme of the darn thing. Assuming it all belonged in another book somewhere, I kept trying to juggle some excuse to introduce them in the last few pages. Long entries in the Kingdom Chronicle– ahm, no, even the Children of Hope don’t read that thing before Anteris takes it up. I tried for the minimum– no soap, each element of summary and recap just pulled on threads that extended further and further back, into “Judgement’s tale”, but really not separate from it.Created with Nokia Refocus

I broke down at last, of course. Two novels, entwined, telling both stories at once (well even that’s a simplification, telling the whole story in order). Without Treaman, Gareth, Linya, Pol and the others, I would never be able to show the story of Solemn Judgement at all. Sleeves rolled up, shoulder to the wheel, nose to the grindstone… just try getting any work done in that position! But then I sat my butt down and started to type. All the threads into one tapestry: and I think the results have been worth it.

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Even today, every time I think to myself “that tale is told” I feel a kind of shock, as if I’ve gone over a hill on a rollercoaster. I re-read the whole thing on the polishes, and again on the edit, and each time I’ve had that wonderful feeling authors get, that strange sense that someone else must have written about your characters. {Oh yeah, that bit where two knights and two squires fight a pair of giants by the salt pool, that was pretty good stuff!} Why did that poor girl in Hollinsfen have to die? You’re telling me she’s a ghost now too? And how ironic, when the Chosen Wanderer is down and wounded, only a grey-clad gate-walker who’s tramped five hundred leagues can get past the knight’s fierce warhorse to help him, because Solemn knows Quester by name.

All here, woven together: the lost city of Oncario, travel through time, the curse of lycanthropy, miracles of restoration in the middle of the chaos-lands, a falling crimson star, warriors who can disappear at will, one king crowned and another going without; and naturally, a desperate race againVuth2.JPGst time and the odds. There’s a lot more than “Judgement’s tale” in The Eye of Kog: Solemn is still there, a bright grey thread that runs through the center. But now he’s in his proper place, sojourning in search of knowledge beyond the world that has not yet adopted him, a drumbeat to the symphony ushering in the Age of Adventure for the Lands of Hope.

With this book, most likely the longest and most complex chain of events that needs to be told about my world is on paper. Hardcover first, for anyone who likes to prop open a fire door after reading. And I dedicated this sequel to you, the readers, because with all my heart I believe that this, reading an epic, is an heroic feat in today’s world. I hope you will attempt it, and believe you will find the effort well rewarded. I know I have.

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The Joys (You Heard Me!) of Revision

I don’t think I’ve ever done this before. I’m revising a novel, The Eye of Kog, by which I mean going about it in the same way most other authors do. It’s an incredible feeling: I’m running with “joy” in my title today but I think the best word might be “stunned”. Thought I’d ruminate on why, and see if anyone else has the same feeling.

Not Writing Anymore!

Astonished1That’s the first thing, the breaking of a habit that leaves me feeling as if I’m constantly stumbling forward against a vanished resistance. I was writing this thing for so long. If you work on several WiPs simultaneously, you may not get this, but I dropped my “other” tale long ago. Every day walking around not hearing the first of half of anything my lovely wife says, every time I miss my turn driving to the store because I’m distracted, every half-hour before sleep, every night: the tale, the chapter I was on, where the characters were and what was going to happen next.

Sure, I knew the tale in the sense of the big picture. I knew it intimately in fact: I have for decades. But I don’t outline, or character-map- there’s no bridge between in-the-head and on-the-paper, just a big leap across that space. It’s a little like having seen Star Wars twenty times: you know it, right? But now you have to sit down and replicate the screenplay, shot by shot.

Anyway, that was an intense level of involvement, and I couldn’t believe how long I went on with it.

Two years.

Of Long Standing

Yes, I was writing The Eye of Kog at that pace for nearly two solid years, and I can prove it. Whenever my author friends and I finish a chapter, we lob it up on our mutual comment Lecturing2board over at Write Stuff Extreme, and then exchange feedback on each others’ work. If you don’t do this, start. Seriously, not one word to me, not one shaken finger about outlining or note-taking or anything. Get a beta group. Don’t make me come over there.

So my first post on the board for EK is dated July 14th 2014. I went back to start my revision and could not believe my eyes. Like Treaman’s party when they first sight the lost city of Oncario, I knew it had to be 2015, at most. Two years? All that time… but this was not a short tale like Fencing Reputation. And it involved several characters whose history I did not know as well as those in Judgement’s Happy2Tale. I bet many of you have felt this, the sense of re-acquaintance with things you wrote, characters introduced, action described. Like a chore you forgot you had done, you walk in and your heart shouts “bonus! winning!”

And then there’s the cousin of that feeling, with the same exultation and none of the recognition.

Really? I Wrote THAT!

I know other authors have felt this way because they’ve told me. Maybe it happens more often when you write longer books, I’m not sure. But there’s that paragraph, the section of 1k or 2k or more that is not yours. It’s just in your book. You know? Oh it’s part of the book alright– carries the plot forward, develops the character, balances dialogue with action. But no way I could have written this.

Usually, I feel that way because it’s good: and when I look at the posting date, more often than not it came out right away, on the next day after the chapter before it. Or even on the same day. That’s really hard for me to do, because I’m a day-job dilettante and can never count on steady time to write. Where did this burst of creativity come from? Too hard to figure out. Much easier for me to assume someone snuck in and tapped on my keyboard while I wasn’t looking. Yeah, that’s the ticket.

Thanks, whoever you were, for stopping by. Come again.

The Dragon of Perfect

Bumps along the way, though? Oh hell yes.

Thinking1The Perfect Dragon rears her ugly head– well wait, it’s a gorgeous scaly head, the acme of draconic beauty, I’m sure, but the beholder’s eye in this case is mine, and she’s trying to consume me, so… ugly. She rears her head chiefly in two places. One, in the tiny cramped space within her cave, over wording. The other high in the sky as she flies and flames, at the level of chapters.

Different readers trip on different phrases, and you can’t say yes to everyone. I’m so proud of my grammar, my syntax (whatever the hell that is) my idioms and voice and tense-choices. Anyone, absolutely anyone points out a problem and the Dragon Perfect starts to growl and hiss. Did I mention how defensive I am? See, I ALREADY went over the wording. A lot, man! I re-read my chapters out loud, I swap adjectives, I Astonished1bounce out the present-tense verbs that snuck in when I wasn’t looking. And who does anyone else think they are, to post a comment (private board) telling me the way I wrote it was– I can hardly say it– wrong?

Down, Dragon. Every sentence can take one more read-through, where’s the harm. I have spent half an hour in the cave over a single paragraph, and when the smoke cleared I realized my lunging, clawing adversary was my reflection in a mirror. Back-space, tap-tap, fixed. Yeah, more often than not, they were right. Hey, almost like, like they were trying to help me when they posted it.

But up in the air, that’s harder. This is the part of revision where you have to entertain the notion that your chapters are in the wrong order. Or that there are too many. Dragon Perfect swoops in with a full head of steam against such offenders and again it’s Katie bar the door because my Defensive Shield is set to eleven. MY wonderful opus? Rearrange, clarify or even (gaspity-gasp) cut? Don’t you know that’s a three-letter word around here?

Jealous1Long and short, I usually fend off such suggestions. You have to stick up for your work and my brave beta-readers, as loyal as they were, couldn’t possibly hold the themes, the minor characters, the long breaks between visits, in their memory over the course of twenty-four months with clarity. I’m the guy who’s been walking around with this in his head for two years. I have to trust my judgment (inside joke!) on this one. So yeah, those themes, threads, added characters, and chapters pretty much stayed where they were.

One thing, though, I never expected and it even knocked out Dragon Perfect this time.

Add a chapter, my readers said.

And I was like– crazy beta-readers say whaaat?

Add a chapter. Maybe two.

The Creation Unlooked For

To coin Tolkien’s phrase, I could never have expected the result of feedback would be to Horrified2make my chronicles even longer. Maybe deep down I don’t have enough faith in my tales? But my good friends got to the heart of it. I just hate villains, is all. And I don’t show them much: I hint at them, feint and fake and mention them, or have folks find evidence of their passing, stuff like that. This is epic fantasy, it’s not like they have redeeming qualities!

But the reasons piled up, and I bet other authors know the feeling. Something kindles inside, you start to see possibilities. Nobody shows every second of a hero’s life– when they use the bathroom for instance, though I do show a prince and his squires seeking them. There’s a lot of mindless destruction and bad-doings my villains indulge in, before they finally get theirs. Plenty of stuff to draw on. I’m thinking now about how to advance the plot, increase the tension, improve the tale. AND, by the bye, give you all another much-needed glimpse of a powerful character doing what he does, well worst.

Thoughtful2So again, calm down Dragon. I got this.

Revising is a peculiar joy, with twinges of doubt, wonder and regret flavoring it. Maybe letting go of my daughter’s hand on her wedding day will be a bit like it. I might never think the tale is ready. Pretty certain I’m not. But here it goes all the same.

Have you experienced the joys of revision? Did you read something and wish it had another run before you bought it?

Fencing Reputation Now Available in Paperback

The second novella in my series “Shards of Light” is now available as a physical product, right over here.

Shards of Light II - large webI love this plot, this character, this city. For pure joy and fulfillment, nothing in my life beats writing about the Lands of Hope, and there’s no place that’s more true than in Cryssigens, early 2002 ADR. If you read the first novella, The Ring and the Flag, you’ll have an idea what I’m talking about. But not to worry! Captain Justin from that tale starts out at almost the same time as the Stealthic Feldspar in this one, the tales stand alone and you could read them in either order.

Fencing Reputation is heroic fantasy with a flavor of detective noir. Feldspar is the man of a thousand disguises, but no one has seen his real face until today. Including himself. The only thing Feldspar knows for sure is that he won’t let his new, mundane persona take over his life, and he’ll never get involved in politics. Or become attached to any of his new neighbors. Wrong on all counts of course.

 

Some reviews of the e-book format:

An epic fantasy tale with the best qualities of an Errol Flynn swashbuckler. If you enjoy detail-rich settings and mysterious characters, this medieval tale will intrigue you. The anonymous main character’s many faces are fascinating, but none more so than his Feldspar personae, a stealthic of legendary proportions.- Barnes and Noble

I love the way the story mixed humorous scenes with grim ones.– Goodreads

Feldspar is a Stealthic, one of those reckless professional risk-takers like Bildon in Judgement’s Tale and the legendary Trekelny of Three Minutes to Midnight. Like them, when faced with difficult choices, he tie-breaks based on the course of greater risk. {Actually, who ever took a bigger risk than poor Meandar in The Plane of Dreams?} The added wrinkle for Feldspar is that he’s adopted incredible disguises in a city where everyone else is eager to display exactly who they are.

This is a crossover tale, so whichever order you read, the hero in the second book will catch glimpses of someone you’ve already met. And the adventure versus the conspiracy threatening the Southlands will continue in Shards of Light III, “Perilous Embraces” later this year.

I hope you enjoy Fencing Reputation, probably the most suspenseful, and also most humorous tale I have offered to date. Don’t forget to leave a review! I’m ordering a box right now, to use at the Con and other meet-ups this summer: it will be great to have three titles out in paper.

An Interview with Annie Lima

Q: Well, harumph. I can’t say I’m happy to be doing a “civilized” interview, after the fun I’ve had in Hahn_critic_1my author interview dungeon. Alas, all the cool stuff has been moved to my home blog now; here on IB, there are only soft, cushy chairs, curtains too thick to use for binding ropes and some completely dull, soft plastic tea cups. How am I going to get any information from this vict- ahm, guest? ::muttering:: It’s been so long since I’ve been polite during questioning.

::game-show face :: We welcome Annie Douglass Lima today to talk about her new release The Gladiator and the Guard. This is the second title in her Krillonian Chronicles series, set in a world where modern life coexists with permanent slavery.

Q: Let’s see, a tale of arena combat? You won’t need to work hard to hook this former history teacher! Of course, in the Roman Empire most gladiators had families, and some were quite young, though we hardly think of that. Where did you get the idea to combine these threads and have siblings face the pressures of the arena? It’s a terrific dilemma, very evocative.

Annie Douglass LimaA: Thank you! The idea grew out of the first book, in which I established the principles of slavery and how it works in the Krillonian Empire, a modern world very similar to our own. Of course slaves would have families, and of course they would be separated from them if they were sold away. I just had to decide how and why people would become gladiators (who are perceived by most of that world as athletic heroes but are really still just slaves). In The Gladiator and the Guard, the arena manager obtains new “glads” primarily by purchasing slaves who are already martial arts experts. He occasionally offers contracts to free athletes, but it’s rare for anyone to accept, since that involves payment in advance and then voluntarily entering into slavery in the arena. Plus, contracts are always for a lifetime (and glads’ lives are notoriously short). In the Krillonian Empire, enslavement (usually involving sale by auction) is the legal punishment for certain crimes, so he also keeps an eye on the online auction sites. When violent criminals become available – or anyone with combat experience or documented martial arts abilities runs afoul of the law – he is quick to place a bid.

Q: This is fabulous, a kind of lifetime slavery that’s not strictly racial. Could you elaborate on the kinds of crimes that can get you dumped into this fate? We seem to be talking about people not born to slavery, and that’s always tricky. {Of course, everyone would like to believe they’d heroically resist, and succeed- but then Stockholm Syndrome was discovered…}. But at any rate, Bensin and his sister didn’t do anything wrong, did they?

A: Bensin and his sister actually were born into slavery. Slavery is hereditary, but there are other ways to become a slave, too. Bensin’s parents were enslaved as kids, when their homeland of Tarnestra (originally an independent nation) became part of the Krillonian Empire. The people of Tarnestra fought valiantly to retain independence, and when their resistance was eventually crushed, tens of thousands of Tarnestrans were ripped from their homes and sold into slavery across the empire as a warning to anyone else who might be tempted to resist imperial progress.

Punishing certain crimes with enslavement (not only for the perpetrator but for his or her family) is the government’s way of motivating people to keep the law. Bensin’s friend Ricky, for example, was born free but enslaved at age ten along with his parents and brother, when his dad (who worked for a government agency) was caught embezzling money from his employer. Other crimes punishable by enslavement include murder, armed robbery, and attempting to illegally free slaves.

Q: These works lie very close to the more orthodox epic and heroic fantasy genres, so that leads me to two questions, both driven by envy. When you laid in the “world-building” of the Krillonian Empire, did you find it necessary to go back and pull some out, move some around, etc. or else lose energy in the plot? And do you think it was easier to describe a setting closer to the Alleged Real World (except for, you know, slavery and people fighting for amusement), or was it perhaps harder?

A: I did a lot of planning and prewriting before I started my first draft of the first book, so I didn’t end up having to make too many changes to the worldbuilding once I had begun. Occasionally I thought of new details that I was able to add in as I went along, but those were mostly pretty minor. For example, since slavery in the Krillonian Empire is not based on race, there had to be a specific way to identify slaves. I knew from the beginning that they wear steel collars that lock around their necks, providing their names and their owners’ contact information. Obviously that makes it much harder for slaves to escape, but there are certainly tools out there (in any world) that can cut through metal. In The Collar and the Cavvarach, there came a point when I realized I needed to establish a reason why anyone with bolt cutters couldn’t just go around freeing slaves. So I had a certain mechanic explain to an inquiring young slave that he had to have a special kind of license to own and use such tools in his car repair shop, and that involved security cameras through which the authorities could be watching him at any given moment.

Q: BTW, try to get a little episode called “Gamesters of Triskelion” on your viewing list. Captain Kirk in his beefcake-prime and slave-collars you’ll really like!

I’ll keep that in mind! As for your second question, it was both easier and harder in different ways to create a setting so close to the Alleged Real World. I have a fantasy series that takes place in a totally different world, and with that one, I was able to make all the rules. But it took an awful lot of worldbuilding to flesh everything out. With this series in the Krillonian Empire, I mainly just combined a couple of modern-day Earth cultures and left it at that, of course with the addition of slavery and a made-up martial art. But then there was the challenge of making sure everything I said was consistent with how things really work in our world. For example, I know very little about firearms or martial arts training or the types of mechanical problems an old pickup truck could encounter, but I needed to make those details realistic in the story. I should say, I knew very little about those topics. Dozens of hours of research later, I’m much more knowledgeable!

Q: I should probably have asked this earlier, but who do you think is the target audience for these stories, in terms of age but also anything else you can think of? And is that your “core” audience, I mean the one you always thought you’d be trying to reach?

A: These books are young adult fiction, meaning they’re geared toward teens and adults. I teach fifth grade, and while I know a few of my students have read and enjoyed The Collar and the Cavvarach, I have never suggested it to them, or to anyone else below middle school, as recommended reading (unlike my fantasy books). The subject matter is dark in places, and while there is no sex or language, I don’t really want my fifth graders pondering issues like why the characters would say slavery is worse for girls, for example. The first book contains just a little violence, and that’s mostly in controlled settings like tournaments, where participants fight with unsharpened blades. But the second book would definitely be rated PG-13 for violence, as well as for a few mentions of blood and gore.

I would say the target audience consists of any teens and adults who like an exciting adventure story. Anyone with an interest in martial arts, or perhaps in the gladiators of ancient Rome, would be especially interested. I never thought I would write a martial arts story; I never used to be particularly interested in martial arts myself, and it had never been my goal to reach readers who are. But then along came Bensin with a story that just had to be told, and martial arts were an inextricable part of it. The rest, as they say, is history.

Q: Can you give us a quick run-down on the gladiatorial combat, called cavvara shil, that happens in the tales? The weapon looks decently wicked, but the cover of Book Two also shows a disappointingly-protective looking helmet. You don’t mean to tell me fighters sometimes survive?

A: The martial art of cavvara shil is fought with a cavvarach (rhymes with “have a rack”), a weapon similar to a sword but with a steel hook protruding from partway down its top edge.  cavvarachI wanted cavvara shil to be a combination of two or three different fighting styles, involving elements of unarmed combat as well as the use of a weapon. It took a few false starts before I had a fighting style I liked. At first I just pictured using a sword, but I wanted something a little less stereotypical.  The cavvarach, with its hook, ended up being just right for what I had in mind. Combatants try to snag their opponent’s hook to tug the weapon out of the other person’s hand, which is one way to win a duel. (They can also knock it away with their own cavvarach, or kick it away.) Besides disarming an opponent, you can win by knocking them over and pinning their shoulders to the mat for five seconds. Oh, and you can block blows with your shil, which is like a narrow shield that barely covers one forearm.

In The Collar and the Cavvarach, 14-year-old Bensin competes in cavvara shil tournaments to earn prize money for his owner. Like everyone else there, he fights with an unsharpened blade and wears poncho-like padding to protect his torso and groin in the event of a missed parry. Worse injuries than bruises or the occasional bloody nose are rare at such events. In The Gladiator and the Guard, however, Bensin (now 18) is forced to be a gladiator, and he soon discovers that everything works differently in the arena. All blades are razor sharp, and protective padding doesn’t exist. Most duels are not intended to end in death (that would be a waste; gladiators are valuable), but accidents can and do happen. The helmet you see on the cover is actually for the guards who keep an eye on the combat from a safe distance to serve as referees and (when necessary) bring the injured in on stretchers at the end.

Q: Oh, the helmet is for the guards? OK, then I’m glad it’s been broken! I couldn’t let you go without a nod to your life in the Alleged Real World. You may be the guest who’s come the furthest of anyone to be here on the Independent Bookworm! Assuming of course that “here” is in the US or Europe… pardon me, my ethnocentrism is showing. But do tell us a bit about your world, the one you see when you turn away from the screen.

A: At the moment, when I turn away from my screen I see twenty-six empty desks and walls covered with colorful science project display boards. (My students are out at lunch recess right now.) I teach at Morrison Academy in the city of Taichung, Taiwan. It’s a wonderful job in a wonderful place! My husband and I have lived in Taiwan for nearly nine years now, and we love it here! I’ve enjoyed inserting elements of Taiwanese culture into these two books. For example, some characters chew betel nut, a mild narcotic sold legally in shops decorated with flashing colored lights. When money is awarded as a prize, it’s given in a red envelope. Cheap boxed meals available at “hole-in-the-wall” eateries are a common and convenient meal for laborers or anyone in a hurry or short on cash. New Year is the most important holiday of the year in both places. In Book 3 (which I hope to draft in the fall), much of the action will take place in a different city of the Krillonian Empire, one which I plan to pattern closely after Taichung.

Q: Cities, climate, customs– too much to ask about! Let’s just call this a pause, and perhaps have you back when Book 3 is ready. I’d love to ::cough-cough :: show you my ahm, interview chambers, you’d love the decor. Thanks very much Annie for a terrific peek at an interesting world. Make sure to leave us with your contact links and a blurb about your current release.

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I’m excited to announce that my young adult action and adventure novel, The Gladiator and the Guard, is now available for purchase! This is the second book in the Krillonian Chronicles, sequel to The Collar and the Cavvarach.

First Things First: a Little Information about Book 1: 

Bensin, a teenage slave and martial artist, is desperate to see his little sister freed. But only victory in the Krillonian Empire’s most prestigious tournament will allow him to secretly arrange for Ellie’s escape. Dangerous people are closing in on her, however, and Bensin is running out of time.  With his one hope fading quickly away, how can Bensin save Ellie from a life of slavery and abuse?

 What is the Collar for, and What is a Cavvarach?

The Collar and the Cavvarach

sword isolated on white background; Shutterstock ID 109466807

The story is set in a world very much like our own, with just a few major differences.  One is that slavery is legal there.  Slaves must wear metal collars that lock around their neck, making their enslaved status obvious to everyone.  Any slave attempting to escape faces the dilemma of how and where to illegally get their collar removed (a crime punishable by enslavement for the remover).

Another difference is the popularity of a martial art called cavvara shil.  It is fought with a cavvarach (rhymes with “have a rack”), a weapon similar to a sword but with a steel hook protruding from partway down its top edge.  Competitors can strike at each other with their feet as well as with the blades.  You win in one of two ways: disarming your opponent (hooking or knocking their cavvarach out of their hands) or pinning their shoulders to the mat for five seconds.

Click here to order The Collar and the Cavvarach from Amazon 

for $2.99 a discounted price of just 99 cents through April 28th!

 And now, The Gladiator and the Guard, with another awesome cover by the talented Jack Lin!

The Gladiator and the Guard.jpg

Bensin, a teenage slave and martial artist, is just one victory away from freedom. But after he is accused of a crime he didn’t commit, he is condemned to the violent life and early death of a gladiator. While his loved ones seek desperately for a way to rescue him, Bensin struggles to stay alive and forge an identity in an environment designed to strip it from him. When he infuriates the authorities with his choices, he knows he is running out of time. Can he stand against the cruelty of the arena system and seize his freedom before that system crushes him?

Click here to order The Gladiator and the Guard in Kindle format from Amazon

for $2.99 a discounted price of just 99 cents through April 28th!

 Click here to order The Gladiator and the Guard from Smashwords (for Nook or in other digital formats) 

for $2.99 a discounted price of just 99 cents through April 28th!

Annie Douglass Lima spent most of her childhood in Kenya and later graduated from Biola University in Southern California. She and her husband Floyd currently live in Taiwan, where she teaches fifth grade at Morrison Academy. She has been writing poetry, short stories, and novels since her childhood, and to date has published twelve books (two YA action and adventure novels, four fantasies, a puppet script, and five anthologies of her students’ poetry). Besides writing, her hobbies include reading (especially fantasy and science fiction), scrapbooking, and international travel.

Connect with the Author Online:

Email: AnnieDouglassLima@gmail.com

Blog: http://anniedouglasslima.blogspot.com

Facebook: https://www.facebook.com/AnnieDouglassLimaAuthor

Twitter: https://twitter.com/princeofalasia

Goodreads: http://bit.ly/ADLimaOnGoodreads

Amazon Author Page: http://bit.ly/AnnieDouglassLimaOnAmazon

Smashwords: https://www.smashwords.com/profile/view/AnnieDouglassLima

LinkedIn: http://bit.ly/ADLimaOnLinkedIn

Google Plus: http://bit.ly/ADLimaOnGooglePlus

Now, enter to win an Amazon gift card or a free digital copy of The Collar and the Cavvarach!

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Whatever’s an e-Reader For?

I came into publishing at probably the most misleading time of the last hundred years. Yeah, that sounds like a good excuse.

When I started chronicling in 2008, I was following the pure desire to make something of these tales I had lands-of-hope1bound up inside me. I identified with not just paper pub, but the traditional route to it– getting an agent, breezing through one of the Big 5, the book tour, the fame, the groupies. Forty rejections later I woke up, admitted fantasy was the genre, not the life-path. But I kept chronicling, that’s the thing. If I thought about my future as anything I had control over, it was of course going to be in all media, analog and digital, video and audio. The movie, particularly, I really grooved on that.

By the time I started publishing it was summer of 2011. What we tentatively called Year 4 AK (After Kindle). Remember? People were going to convert completely to e-readers, just a matter of months. Print was DEAD, I tell you, everyone knew that. And I had tablet envy bad. I self-published my first four tales in digital format, and figured I was done. What loser would chase paper? Paper books were supposed to be the new Betamax (yeah, I know) or like 8-tracks, vinyl records. As in, you only saw them in movies. Black and white movies. I read all kinds of stuff on my PC, even on my tiny smartphone. As old as I am, I can say with honesty I’ve gotten used to screen reading, it’s pretty normal for me now. More on that below.print-is-dead

Wha’ Hoppen?

But the revolution I expected, that lack of e-reader I was still so jealous about? Didn’t really happen, did it. Hey, not the first time I’ve been a fool. I did what many of you did, only in my case it involved less time and talent. Flogged my platform, made announcements, kept chronicling, tried new things like a trailer, blog tour, writing about cool stuff. Hoping to catch fire somewhere. But still thinking entirely in digital.

You can probably see where this is going. My publisher gets me under contract (best piece of paper I’ve signed since my marriage license), and right away she starts talking crazy. How the next book, the big one, the once-trunk novel Judgement’s Tale should come out not only as novellas, but after the e-books, also in paper.

 

And I thought– paper? That dead organic stuff? It was this moment that I woke up (again) and really understood what others were shouting, that the Big 5 weren’t going to fold, and that paper books served a purpose for many people. Um, in fact, the vast majority. The rest is fast becoming history. People responded to JT in print quite viscerally, and my sales are starting to count with people I regard now the way an ERB hero would discovering a lost race. Paper book reader, I presume?

Circling Back to the Future (of Reading)

Definition of irony: I have a tablet now.

JT_at_BetBks_Jul_15

A store shelf. And my book. In the same place!

That e-reader I was always chasing is now in my grasp, every day, and I still do much more reading on it than in any paper form. But I realize it’s not the predestined winner in any near future on this planet. Most of my energy these days, outside of writing the next one, is focused on what’s going to happen to my tales in paper. My publisher is taking good care of that, and this opens up a world of possibilities at libraries, book fairs, maybe signings. Meeting real folks, shaking hands and giving out business cards, letting them thumb through the pages and hearing them ask the Dread Question (“So, what’s this one about?”). Because I have books in paper, no thanks to me.

What’s an e-reader for then? As an author, how to use it to improve your reach or your art?

I have several answers for you, things that have worked for me and which I recommend:

Come to it for the Cheap

Tablets and e-readers are becoming very affordable, and if you play your cards right you can basically steal one. I got my current tablet when we took Genna into the carrier store to get her a smartphone (at long last! she’s 18). We knew that college required her to stay in touch via email, Twitter, etc. so we put her together with an iPhone5. Genna mentions to the clerk the old household joke about how her Dad has tablet envy, and he says “you know, you can get a tablet for ninety-nine cents”. Yeah, it requires a data plan, but Genna and I share 1 Gb apiece and I lock the account so it just stops when we get close. Wi-Fi, we love you. And if you take a Kindle with a year of Amazon Prime, Jeff Bezos will personally fly to your house via drone and buff your toenails, or something pretty close.

Stay for the Stuff

There’s hardly any such thing as an e-reader anymore, everything is multifunctional, including Kindles and even Nooks (though admittedly, not as much). I gauge what to bring when leaving the house, based on how cool-tablet-cartoonmuch idle time I’ll have. Laptop for writing, tablet for reading: the former weighs a couple pounds and goes in a padded case (belongs to my employer), the latter fits in my jacket pocket and I forget I’m carrying it. So what? So check your email, catch up on blog posts and reading related to your work as an improving author. Think of the cyber-things you can’t do because you’re not at your desk; even research for your next book. I have a couple of games too, of course. Because games! No worries– I know my mind is continuing to integrate thoughts on the WiP in the background.

Round Up the Usual Advantages

Just because paper books refused to do the decent thing doesn’t mean you can’t benefit from having a library in your pocket. I have free online e-book copies of everything I’ve done for my “Classics You’ve Never Read” series. A few touches to reach any book, any chapter; I know reading it in a spine is more fun but what if you just want to find that place where Jonathan Harker said goodbye in his last letter to Mina? You seriously going to argue you can do that more easily? A book on tablet has choice of fonts, and you can alter the SIZE (oh boy, that’s key for a guy who forgot to bring his reading glasses) as well as the background light (eye damage? what idiot reads in bed with the setting on daytime brightness? Two taps). You can read seven other books and come right back to where you were (bookmarks), you can tap to define a word (online dictionary), you can Copy and make notes (easier on your PC, but it’s all the same to the Kindle app). You invested a boatload of hours getting used to reading on a PC. It’s like riding a bike, you just have to spend a little time to get used to it. And watch out for trees.

The Occasional Surprise

The tablet has also proved useful to me in one other, rather sneaky way. As I became accustomed to reading on screen, I also realized it was sometimes tough for me to proof, or scan my drafts for polishing purposes. I re-read my stuff repeatedly when I’m drafting, it’s like the bobsled guys rocking back and forth in the track before the next run. But between the time when I THINK it’s ready and when it actually is… I’ve realized I can “self-pre-publish”! Just take the draft in document form and send it to your screenname @ kindle.com, and it shows up in your library!

Honestly, you won’t believe how much more seriously you take your own works when they LOOK like “the real thing”. The Kindle has become so much second-nature to me that I find myself automatically treating the draft like published work. It gives me confidence in what I’ve done well, and exposes what still needs redress even more clearly. And the PC can stay at home until I actually-factually decide to rewrite it.

Print is Dead-Egon

 

So long live paper. And get a tablet anyway.

New Release: Will Hahn’s “The Ring and the Flag” in Paperback

Ring&Flag-big-hi-resI could not be happier at this happy season, than to announce the first novella in the Shards of Light series is now available in paperback via Amazon. Captain Justin is one of three amazing heroes who start in very different places and are set against the same dread conspiracy. He’s already tried his best but failed, and is headed now to disgrace with a heavy heart. Little does he know what his commander has in mind for him. Little does anyone know the threat that faces the Argensian Empire, too soon after a costly civil war.

If you’re new to the Lands of Hope this is a great place to get started, and if you are wondering what to send the reader on your shopping list, here’s the perfect answer– The Ring and the Flag is a standalone adventure you can give to please a friend, and leaves them free to investigate the rest of the series if they like.

The Ring and the Flag

Newly-graduated imperial officer Justin is convinced he has no future, and hearing the details of the secret mission he’s assigned for the Emperor won’t change his mind. Civil War threatens the North Mark. Justin must race against time to form a company, and lead his men into the center of the web; but what happens when his loyalty to the Empire means the death of those who follow him?
In 2002 ADR, the Empire of Argens is still reeling from the usurpation of its centuries-old throne by a landless adventurer. A ferocious dwarven warrior named Yula and his sorcerous human allies not only defeated the flower of elvish knighthood, but exposed the former dynasty as nothing less than demons in disguise. Now a young captain, ruined by his loyalty to the old regime, has one last chance to redeem his family name in the officer training corps being established by the hated new emperor.
Captain Justin gets much more than he bargained for, however, as he is sent on a secret mission to the North Mark, hotbed of disloyalty even in the old days and now on a trip-wire for revolt. Given only days to assemble a company, march north and defuse the conspiracy, the new captain will be tested too often, too hard and far too soon.
“The Ring and the Flag” is the first story in the Shards of Light saga set in the Lands of Hope, the creation of Wm. L. Hahn. More than twenty years in the making, the Lands hold tremendous adventure, a sense of history, and a strong theme of the difficult choices heroes must make when faced by the power of Despair.

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Will Hahn serves as Chronicler of The Lands of Hope, you can find all of his current tales online here, or sample his thoughts about the Lands, Life and Everything on his website.

On Further Review…

With a nod to what the refs say during football season… I want to tap the collective wisdom of our readership on a topic we’ve been hearing about recently. Amazon appears to be cracking down on paid reviews and I think most of us would cheer that idea. But what’s the real problem here? And what’s the best solution? Take the poll below and comment.

Briefly- Amazon moved against several paid review sites recently, to shut down people posting five-star reviews that were bought and paid for (and presumably inauthentic). You figure Amazon can do what they like, and you figure they’re ticked off their own star-rating system is being gamed, sure. But here’s a twist, as pointed out in this online article I saw via a colleague today: Amazon is now going after individual reviewers, and evidently is suing for a “remedy” that includes the information to find out who those reviewers got paid by. Everybody still cool with that?

Layer on this, which many of us are familiar with: the Zon also removes reviews if they judge that you “know the author personally“. The criteria they use to determine this is something they refuse to share, and the take-down they apply is irreversible. You can complain when it happens to you. I did, and got bupkus back. For an honest review of a book I had read, penned by a fellow author who is indeed my friend (as a result of our online collaboration, not because I am her kid’s godfather or we go bowling on Tuesdays). I can tell you, I took THAT personally.

And through it all, the part that I really love to hate- ignorant, hateful, racist/sexist/ageist trolls can come crashing through an author page and wreck the place with no penalty whatsoever. Just scratch up $3 of sourdough money to buy the first title: download, write a one-star/one-line review, then return the book. Get all your money back, while your review stays up naming you as a “Qualified Reviewer” forever! Use the same money to lather-rinse-repeat through every title, just because the author’s a woman, or dared to praise Reagan, or said something nice on Facebook about the football team you hate.

Hahn_critic_1So, what’s the right and just thing to do, will Amazon ever get around to doing that, and what would be best for all of us anyway? Take a shot at the poll to get your juices flowing, and then by all means leave a comment (use pen-names so the Zon doesn’t figure out how well we know each other!).

Vote for the statement you think is most true ! Then comment.

Author Interview: Jamie Marchant, “The Soul Stone”

Will you look at all the dust in this dungeon! How long has it been since the last vict- er, guest author was here? Let me just clear out the worst of it over in this corner, by the sharp things. Gad, if she’s allergic to mites it will be enough just to bring her in here. And by the way, bring her in here.

We are delighted to welcome– yes, that chain around the ankles, fool, have you forgotten your job– Ms. Jamie Marchant, who fell into our clutches during her blog tour for The Soul Stone. I don’t believe we’ve had the pleasure previously, but we’ll soon get everything we need from her. Just let me find my favorite bullwhip- ah there, covered in grime. Let us begin.

Q: So where do you come from, author-person? Your location in the Alleged Real World is of no consequence here; we want to know your roots as an author. When you were young and still contemplating your life of crime, whose temptations swayed you the most in reading? Was it always fantasy for you, or did you come to the genre late in life?

Jamie: As is often the case, my family first led me astray, especially my older sister who told me fairy tales and encouraged me to write ones of my own. In my teen years, I fell under the influence of Piers Anthony and Stephen R. Donaldson. As an adult, Mercedes Lackey and Jim Butcher completed my corruption until I was irredeemably a fantasy fan, but as you see, the seeds of fantasy were planted in me before I was old enough to read for myself. I really didn’t have a chance.

Q: I completely understand, blaming others is typical in these cases. Bailiff, fetch us this sister and we shall have a talk next. Tell us a bit about Korthlundia where your tales are set. Your main characters seem neck-deep in royal intrigues, on their guard every minute. Is the world also at war all the time? Do regular folks suffer from whomever it is opposing the goddess who has picked your heroes to help? I mean, what kind of a world are we dealing with here?

The Soul Stone front coverJamie: Korthlundia had enjoyed over fifty years of unbroken peace because of its geographical isolation and the wise rule of Samantha’s father, King Solar. Both the nobles and common people prospered. The troubles in Korthlundia began when Duke Argblutal murdered the king and attempted to usurp the throne. Samantha was only nineteen years old, but she and Robrek put him in his place, six feet under, at the end of my first book, The Goddess’s Choice. However, the nobles aren’t too keen about a young woman and a common young man taking the throne, and the unrest is starting to affect regular folk as well. This is especially true when, in my second book, the Soul Stone breaks loose from its ancient bonds and begins to kill indiscriminately.

Q: Excellent! Always good to hear that a villain with an unpronounceable name is dead. Removes so much worry. Coming back to your heroes, you make it clear that Crown Princess Samantha and Robrek, the common-class sorceror, are from very different walks of life. They have very separate talents too. And busy! Saving the world makes for a crowded calendar, I suppose, but if these two are destined to marry, do they happen to see anything in each other along the way? Or is this going to be a marriage of fate and not the heart? (That is, assuming they make it long enough!)

Jamie: As the crown princess, Samantha had always believed that she couldn’t marry for love. This becomes especially difficult for her when she meets and falls for a common peasant boy at a horse fair. Although she comes to learn that Robrek is a powerful sorcerer and nowhere near as common as she first believed, she thinks an unbridgeable gap divides them. Only in bard’s tales do peasants marry princesses. At the end of The Goddess’s Choice, she is overjoyed when the Goddess reveals Robrek to be her choice for her consort. Theirs is very much an affair of the heart as well as of fate. However, in The Soul Stone, it appears that Robrek won’t live long enough for them to enjoy their love.

Q: You mention getting all geared up on literature in school, but then putting the writing itself on hold for a long time before taking up the pen to write about places like Korthlundia. I accuse the Alleged Real World of criminal trespass into your free time! Bailiff, take the ARW into custody, we’ll deal with it later. But what does the victim have to say? Did you not know this was what you wanted, or were you always thinking about it.

Jamie: I knew since I was a young child that I wanted to be a writer, but this ARW you speak of seduced me with the idea of making money. It took a few years for me to realize I was the victim of a con. Yes, one has to eat, but professional success can’t compensate for the absence of the creative muse.

Q: How would you describe your success so far, and what have been the keys to further exposure in your opinion? Are you happy with sales, with new outlets, and professional connections you’ve made? Are you mainly a paper book author, or did you lean on e-book sales early on?

Jamie: I’m not sure that any author, especially one published by a small press, is ever happy with sales. Getting sufficient exposure for my work is difficult, but I’ve been making progress with connecting with other authors and bloggers via the internet. While my books are all available in paperback, it is the e-book sales that make up the greatest portion of my books sales, which seems to be typical.

Enough, we are satisfied for now and hereby order your release. You may keep the manacle as a souvenir. Just leave us your information, where we can find your confessions (I mean, writing) and the proper links to seek you out for further punishment in the future.

Author Bio: Jamie Marchant

From early childhood, Jamie has been immersed in books. Her mother, an avid reader, read to her, and her Jamie Marchantolder sister filled her head with fairy tales. Taking into consideration her love for literature and the challenges of supporting herself as a writer, she pursued a Ph.D. in American literature, which she received in 1998. She started teaching writing and literature at Auburn University. But in doing so, she put her true passion on the backburner and neglected her muse. Then one day, in the midst of writing a piece of literary criticism, she realized that what she wanted to be doing was writing fantasy novels. Her muse thus revived, she began the book that was to become The Goddess’s Choice, which was published in April 2012. The second volume in the series, The Soul Stone, was released this June.

She lives in Auburn, Alabama, with her husband, son, and four cats, which (or so she’s been told) officially makes her a cat lady. She still teaches writing and literature at Auburn University. Her short fiction has been published on Short-Story.Me, and my story was chosen for inclusion in their annual anthology. It has also appeared in the anthologies—Urban Fantasy (KY Story, 2013) and Of Dragon and Magic: Tales of the Lost Worlds (Witty Bard Publishing, 2014)—The World of Myth, A Writer’s Haven, and Bards & Sages.

Links to Jamie’s Books

Black Rose Writing

Amazon

Barnes and Noble

Contact Jamie Everywhere

Jamie’s Website
Blog
Facebook
Twitter: @RobrekSamantha
Goodreads

 

 

Guest Author-Argument: Karin Gastreich on Women in War

I am honestly quite proud of the author interviews we’ve done on this site, because they’re much more like conversations, the Q and the A are just formalities when things get really good. I’m very pleased indeed to welcome back Karin Gastreich this week, whose cycle of works in the world of  High Maga is in audio as well as print. Karin and I had a marvelous chat about audiobooks the last time she was here. If that was a cozy tea-party, this one might be more of a mud-pie fight because the subject is a theme that figures highly in the novel, Women in War.

As an ancient history teacher by trade, the demographics of any preindustrial society with women in the battle lines always troubled me. I drooled over Red Sonja in the comics as much as the next barely-pubescent male, though of course part of the point was that she was, ahm, exceptional. But as much as I like to rant about the whole ten-women-one-man versus the reverse thing, Karin was quick to point out that war sometimes leaves no escape whether soldier or civilian. Think about the consequences of war in your world’s history– sure, it’s all on the line NOW, but how has it been in the past? And were women a part of it? Lend us a minute, I found Karin’s answers most interesting and I think you will too.

Q: You’ve written before about the effect of war on women, along with all those caught in the war-zone. Is the world of High Maga one where civilians are commonly threatened? Is no one safe, no place respected? Or have your current crop of villains just stepped it up a notch, and broken with previous customs in this war?

A: We live under a modern myth that with sufficient technology, civilians can be spared during warfare, but I’d say the bulk of Karin_Rita_Gastreichthe evidence suggests otherwise. Civilians are always at risk in a war zone, and this was especially true in medieval times. High Maga is firmly grounded in a medieval-style world, so yes, no one is safe when war breaks out. For the most part, it doesn’t matter how noble or villainous the current rulers are.

Q: I agree, there’s always risk to civilians in war, especially after defeat in ancient times. I find more exceptions in history than you did! But no question you have strong female characters on both sides of right here. Are they fighters, though? Are there strictures against women taking up big edged weapons and getting close enough to cause trouble? Or is soldiering an equal-opportunity field in your world?

A: Oddly enough, of the novels in this trilogy High Maga is the one most steeped in war, and yet no women adept at weaponry appear. This is in part an artifact of history and circumstance. I do have women fighters in the first book, Eolyn, and they will return for the third book, Daughter of Aithne.

Women and weaponry have a complicated history in Eolyn’s world. Mainstream society is fairly misogynistic, and there are strong cultural barriers to women taking up the sword. The subculture of the magas, however, is different. Before Eolyn was born, there was a centuries-long tradition of maga warriors. Like their male counterparts, the mage warriors, these women considered themselves spiritual descendants of Caradoc, a legendary figure who was the first to use magic on the battlefield.

Now, not all magas are swordswomen, and many magas – including Eolyn’s tutor Ghemena – are firmly opposed to the use of magic in war. Still, throughout history, the maga warriors have played an important part in the military might of Moisehén. They were well respected and feared by many, and they served the kingdom faithfully.

Will 5Q: Right, so we seem to be looking at battle-mages; a man or woman can be on the battlefield if they wield spells, and such a soldier might also use weapons. But otherwise, women are pressured not to fight, is that right?

A: That’s correct, but again, this wasn’t always the case. A generation or so before Eolyn was born, the maga warriors were still a strong force in Moisehén. Then they rose up in rebellion against Kedehen, their King. They objected to Kedehen assuming the crown because as a prince he had studied magic, defying a centuries-old prohibition against members of the royal family learning the craft.

Incensed by Kedehen’s decision to claim the throne, the magas rebelled. Kedehen, as you can imagine, chose to defend his inheritance. A brutal civil war followed, and Kedehen emerged victorious. Concerned about future uprisings, he promptly forbade all women from practicing magic or taking up weaponry. The kingdom was purged of women practitioners. During this period Eolyn’s own mother, who was a maga warrior, was burned at the stake.

For reasons developed in my first novel, Kedehen’s son Akmael eventually lifts the prohibition on women practicing magic. However, the new Mage King upholds the laws against women learning weaponry, as a matter of public safety.

I suppose I should point out that the use of magic in battle kind of changes the playing field. You might consider it akin to the advent of firearms in modern warfare, which some would argue has made the military much more accessible to women. Victory no longer depends on being able to physically hack your opponent apart. The maga warriors are physically adept at fighting, but what gives them the edge against some of their brawnier opponents are all those magic tricks, such as being able to sear your opponent with flame, shapeshift into a tiger, cast curses that enhance fear, and so forth.

Q: You mean there’s no referee to call foul? Oh right, it’s war… so is Eolyn, your main heroine, going to be a woman warrior?

A: I can’t answer that question, Will. It’d be a spoiler!

I will say that Eolyn is ambivalent toward the idea of the maga warrior. She strongly believes all women should be free to practice magic, but her own experience and upbringing have given her a rather conflictive relationship with the sword. Magic, from her perspective, should not be used in warfare. Indeed, if it were up to Eolyn, everyone, mages and magas alike, would lay down their weapons and live in peace. Unfortunately, this is not the way of the world that Eolyn lives in. Whether or not she wields a sword, war will come for her. When it does, Eolyn must find a way to defend herself. Will her magic be enough? You’ll have to read the book to find out!

Q: I can see that Rishona is a summoner, a mage of sorts. Is it just as common for her to cast spells or summon daemons as a man? Or is this a case of only women having the special ability?

A: In Eolyn’s world, you don’t need to be a woman to summon demons. All you need is willingness and determination to use your magic toward this end.

Q: But is she a warrior-mage? Is it typical to summon demons to do your fighting?

High Maga Audiobook CoverA: So, first I should point out that in this world “mage” and “maga” refer to a very specific tradition of magic with unique origins in the Kingdom of Moisehén. Rishona did not grow up in Moisehén and was never trained in this craft. She does have an unusual brand of magic based on her heritage. Her mother was a Syrnte princess, her father a prince of Moisehén. As a result, Rishona is spiritually linked to both traditions. This is important because in the world of High Maga, magic has a cultural context.

The mages and magas of Moisehén draw their power from the earth and practice a craft grounded in knowledge of the natural world. They have no faith in prophecy or fortune telling. The Syrnte draw their power from the air. They cannot shapeshift, but they do have the ability to perceive time differently. Prophecy is second nature to them. They can hear thoughts of other individuals, even see the world through their eyes. Unlike the nobility of Moisehén, Syrnte royalty has, for pretty much all of history, embraced magic and used it with impunity to serve their ambitions. Rishona’s uncle, Prince Mechnes, is a master at using Syrnte sight to control everyone around him.

Q: So not to put too fine a point on it, Rishona can, and I assume she does. But does what, exactly?

A: Rishona’s connection to past, present, and future is coupled with a heightened awareness of other worlds. She is able to “hear” the voices of the Underworld and make contact with the Naether Demons. She has some sympathy for the plight of the Naether Demons (as do I), and it’s not entirely evil on her part to want to bring them back. But in doing so, Rishona unleashes a dark magic that proves a little beyond her ability to control.

Oh! I almost forgot – Rishona does know how to wield a sword.

Q: Hah, small detail! Penalty box for you, now cough up the details, who let her get away with it.

A: She was trained by Mechnes, who took on the project when she was a little girl, more out of a sense of fatherly indulgence than from any real conviction that a woman can or should fight. Rishona acquired some skill and even respect in the training ring, but she’s never actually been in battle. Nor is Mechnes interested in having her fight; and since he makes all the tactical decisions, it is very unlikely Rishona will ever ride into battle. From Mechnes’s point of view, Rishona’s greatest value is in her ability to summon Naether Demons. This gives him a new and very formidable weapon against the Mage King. Oh, and Rishona has a claim to the throne of Moisehén as well, superior to Akmael’s by some accounts. This serves as a convenient excuse for Mechnes to embark upon the conquest in the first place.

Q: So he’ll be taking one potential woman warrior-mage with him, and the heroine awaits with her own decision to make. Fabulous! Thanks for the fascinating explanations, Karin, you really showed how something as crucial as the active participation of women in war has to be considered in light of history and culture. And magic of course! Fabulous talking with you as always. Here’s to the great success of High Maga, and hopefully a nice manhole cover to drop on Mechnes soon.

chapbreakHIGH MAGA http://edition

Karin Rita Gastreich (author)
Darla Middlebrook (narrator)

Sisters in magic, Eolyn and Adiana seek to revive a craft once forbidden to women. When war strikes at the heart of the kingdom, their fledgling community of magas is destroyed; its members killed, captured or scattered.

In hopes of defending her people, Eolyn tries to escape the occupied province and deliver to King Akmael a weapon that might secure their victory. Trapped by the invading army, Adiana is taken prisoner and placed at the mercy of the ruthless Prince Mechnes.

Even as their world is torn asunder, Eolyn and Adiana cling to a common dream. Courage and perseverance guide them toward a future where the Daughters of Aithne will flourish in a world set free from the violence of men.

“War propels the book forward, and the characters are at their best when the events engulfing them are at their worst.” –Publishers Weekly

Purchase Links:
Amazon (audio book): http://www.amazon.com/High-Maga/dp/B00QMQLA3W/

Barnes and Noble: http://www.barnesandnoble.com/w/high-maga-karin-rita-gastreich/1119380439

Kobo: https://store.kobobooks.com/en-US/ebook/high-maga

About the Author:

KARIN RITA GASTREICH writes tales of ordinary women and the extraordinary paths they choose. Inspired by a lifetime of exploring lush forests and breathtaking landscapes, Karin’s stories blend elements of epic fantasy, historical fiction, and romance. The worlds she creates are a strange amalgamation of medieval Europe and colonial Central America, with misty forests, vast savannas, and steamy jungles. They are populated by brave heroines, noble heroes, and twisted villains. From ancient woodlands to uncharted seas, readers will experience gripping battle scenes, heart wrenching loss, hard-won triumphs, and the ultimate magic of love. Karin’s fantasy novels Eolyn and High Maga are available from Hadley Rille Books. Her short stories have appeared in Zahir, 69 Flavors of Paranoia, and World Jumping. She runs an on-line discussion forum about women in genre fiction at Heroines of Fantasy. Follow Karin’s adventures into fantastic worlds, both real and imagined, at krgastreich.com.

Author web links:

Karin’s web site: http://krgastreich.com
Heroines of Fantasy: http://heroinesoffantasy.blogspot.com
Facebook: http://www.facebook.com/#!/pages/Eolyn/110814625640244
Twitter: @EolynChronicles

About the Narrator:

Darla_MiddlebrookDarla’s voice is a versatile instrument used with skill. It is a voice filled with intelligence and warmth. Her sound can range from mature to youthful female, and she can also produce convincing male timbres. Narrative is presented in a conversational, down to earth, matter-of-fact manner and also displays a broad emotional range across a large repertoire of characters (female, male, young, old and “creature”). All of that while still conveying a sense of wonder when telling the story.

With experience of 34+ years as a Speech-Language Pathologist, more than 20 years as a stage & film actor and over 20 years as a trained singer with knowledge and insight into the mechanics of the voice and speech, Darla Middlebrook brings a wealth of experience to bear to develop character voices (male, female, mature, extremely elderly, creepy, bright exotic, etc) with an impressive emotional range.

Currently, Darla is one of many voice actors who narrate podcasts for AIRS-LA (an audio internet service for individuals with visual challenges) in addition to narrating audio books.

Narrator Web Links:

Website: http://www.darlasvoice.net/
Facebook: https://www.facebook.com/damiddlebrook
Twitter: @GypsyCatVoice

Don’t Miss a Chance at Great Loot from the High Maga Series!

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Judgement’s Tale Climax: “Clash of Wills” is Now Available

Created with Nokia RefocusEven when I knew him, I didn’t know his story.

Once I knew the story, I never dreamed I’d chronicle it.

Now I can hardly imagine doing anything else with my spare time (I know, a fantasy writer for sure if he thinks THAT exists). But now at the release of this fourth volume, the novel I originally envisioned in Judgement’s Tale will be before the readers. Rest? Heck no, that’s for the weary- I can’t wait for the engine to crank up again so I can move the world along.

Clash of Wills: It All Comes Together

It’s a little hard to discuss the book itself because so much has happened in the preceding volumes. Solemn Judgement has carefully studied a couple of problems in his newly-adopted home while staying at the Sages Guild of Conar. One involves a young knight who kneels at the foot of the Hopelord’s statue constantly, and the mortal LoHI_JT_CoW_webdanger Judgement stubbornly believes him to be in. His other puzzle involves a forbidden book, a mystic time-scrying mirror, the ancient sage it drove mad, and a threat to the entire Lands of Hope. Meanwhile, his tutor Natasha has sanctioned him from further study, her friend the actor Alendic spends his every moment teasing the youth, and the patient Elvish Sage Cedrith  can only guess the depths of Judgement’s ambition or the danger he’s courting. In this story, they band together to rescue a comrade and face an ancient foe beyond their worst imaginings.

Meanwhile the Woodsman Treaman has begun to unlock the secrets of navigating the cursed Percentalion and befriended the young dragon Hallah. But his adventuring party falls into a worse escapade than ever before, a series of calamities which leaves them by turns wounded, naked, and finally imprisoned with priceless treasure in the face of a hellstorm of Chaos.

LoH_kg_1_map northern lands

But is it Ever Really Over?

Yes, it’s all starting to heat up in the northern kingdoms of the Lands of Hope. The draft I wrote up several years ago, coming after nearly thirty years of observation and note-taking, Clash of Wills will be in front of you. And the tale is not done. I’m working hard on The Eye of Kog, in which we’ll see the final confrontation involving Judgement, Treaman, prince Gareth, the Chosen Wanderer Renan Altrindur, young Anteris the scribe and many more. Never fear, dear readers, I wouldn’t leave you hanging- for long! Look for more of this epic tale later this year.

And if you want to remain apprised of developments in my chronicling journey, sign up on my website and get a free e-book with two Tales of Hope.

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